We move through spaces shaped by the past, structured by the present, and reimagined by our perception. Intersect explores the convergence of light, form, and movement—capturing fleeting moments where architecture and human presence blur into abstraction. These images exist at the threshold of the tangible and the ephemeral, where shadows become brushstrokes, reflections create new dimensions, and the familiar dissolves into the unknown.
At its core, Intersect examines the ongoing dialogue between nature and the built environment—the push and pull between organic and manmade, permanence and decay. Concrete lines and steel structures attempt to impose order, yet nature continuously reclaims, disrupts, and reshapes. Cracks form, light filters through, and reflections distort rigid geometries, reminding us that no construction is immune to time or the forces of the natural world.
Each photograph is a meditation on space and time, revealing how our environments shape us just as much as we shape them. By isolating fragments of the built world, Intersect encourages viewers to pause and reconsider the overlooked details that compose our daily experience. The result is a visual language of geometry and light, an invitation to find beauty in impermanence and depth in simplicity.
This series reflects my ongoing exploration of perspective—how we see, how we interpret, and how our realities overlap. It is not just about what is captured, but what is suggested: the intersections of material and immaterial, presence and absence, nature and structure.
Through Intersect, I challenge the viewer to reframe their understanding of space—not as something static, but as something constantly shifting, waiting to be seen anew.